{"id":4124,"date":"2021-07-12T20:30:17","date_gmt":"2021-07-12T18:30:17","guid":{"rendered":"https:\/\/www.cdlpv.org\/fitxes\/?p=4124"},"modified":"2021-07-12T13:48:32","modified_gmt":"2021-07-12T11:48:32","slug":"com-per-a-perque","status":"publish","type":"post","link":"https:\/\/www.cdlpv.org\/fitxes\/com-per-a-perque\/","title":{"rendered":"com + per a\/perqu\u00e8"},"content":{"rendered":"<p>La gram\u00e0tica de l&#8217;<span class=\"versaleta\">iec<\/span> (29.3.5.<em>f<\/em>) indica que no \u00e9s propi de l&#8217;\u00fas formal el contacte entre la conjunci\u00f3 <em>com <\/em>(la gram\u00e0tica de la <span class=\"versaleta\">rae<\/span> diu que \u00e9s una conjunci\u00f3 en <a href=\"http:\/\/aplica.rae.es\/grweb\/cgi-bin\/v.cgi?i=buqFbcKAsHcoXpxQ\" target=\"_blank\" rel=\"noopener\">13.16.<em>f<\/em><\/a>) i la preposici\u00f3 o la conjunci\u00f3 final del sintagma posterior (que correspon a la segona part d&#8217;una construcci\u00f3 consecutiva). Josep Ruaix (1994) considerava que eixa construcci\u00f3 era \u00abdefectuosa\u00bb, <a href=\"https:\/\/books.google.es\/books?id=-gHkAAAAMAAJ&amp;q=%22com+perqu%C3%A8%22&amp;dq=%22com+perqu%C3%A8%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwirxeCJxMvxAhVyA2MBHbe0CHo4PBDoATAAegQIAhAC\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a>\u00a0per\u00f2 la normativa actual preferix tractar-la com a tret estil\u00edstic associat als diferents registres.<\/p>\n<p>Per tant, eixa construcci\u00f3, que segons l&#8217;institut s&#8217;ha est\u00e9s \u00abdarrerament\u00bb, \u00e9s correcta i, a m\u00e9s, habitual en els registres informals. L&#8217;\u00c9sadir ha sintetitzat la q\u00fcesti\u00f3 en un quadre; <a href=\"https:\/\/esadir.cat\/gramatica\/sintaxi\/com_per\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a>\u00a0podem afegim alguns exemples m\u00e9s que mostren que la construcci\u00f3 s&#8217;est\u00e9n a tots els registres:<\/p>\n<ul>\n<li>Josep Cun\u00ed, \u00abParaula, missatge, responsabilitat\u00bb, <em>L&#8217;oralitat i els mitjans de comunicaci\u00f3 <\/em>a cura de Joan Mart\u00ed i Castell i Josep M. Mestres i Serra (2003): \u00aben transmetre aquestes novetats, ho fem de manera planera <strong>com perqu\u00e8<\/strong> ajudin a formar-nos \u2014als oients, als espectadors\u2014 un nou nivell, si em permeten, intel\u00b7lectual\u00bb. <a href=\"https:\/\/books.google.es\/books?id=SkAfSWQKEEEC&amp;pg=PA71&amp;dq=%22com+perqu%C3%A8%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiP9ZbNvsvxAhUvAmMBHeqtBhMQ6AEwAXoECAIQAg#v=onepage&amp;q=%22com%20perqu%C3%A8%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Vicen\u00e7 Villatoro, \u00abParaula i imatge com a informaci\u00f3 complement\u00e0ria\u00bb,\u00a0<em>L&#8217;oralitat i els mitjans de comunicaci\u00f3 <\/em>a cura de Joan Mart\u00ed i Castell i Josep M. Mestres i Serra (2003): \u00abi ho feia \u2014espero\u2014 acceptablement b\u00e9, tant <strong>com perqu\u00e8<\/strong> em fitx\u00e9s un dia <span class=\"versaleta\">tv3<\/span> i em pos\u00e9s a la redacci\u00f3 d&#8217;informatius\u00bb. <a href=\"https:\/\/books.google.es\/books?id=SkAfSWQKEEEC&amp;pg=PA71&amp;dq=%22com+perqu%C3%A8%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiP9ZbNvsvxAhUvAmMBHeqtBhMQ6AEwAXoECAIQAg#v=onepage&amp;q=%22com%20perqu%C3%A8%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Jordi Llovet, segons el llibre <em>Converses liter\u00e0ries<\/em> de Marta Nadal (1991): \u00abper\u00f2, en canvi, all\u00e0 s&#8217;ha continuat produint perqu\u00e8 s&#8217;ha donat el bagatge suficient, als futurs lectors, <strong>com perqu\u00e8<\/strong> no s&#8217;esverin davant d&#8217;una formulaci\u00f3 assag\u00edstica dif\u00edcil de llegir, de pair, de treballar\u00bb. <a href=\"https:\/\/books.google.es\/books?id=YtCqVtgHlHYC&amp;pg=PA192&amp;dq=%22com+perqu%C3%A8%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiAmregwsvxAhWgCWMBHbjkB5A4HhDoATACegQIAxAC#v=onepage&amp;q=%22com%20perqu%C3%A8%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Miquel Porter i Moix, \u00abResum d&#8217;una experi\u00e8ncia metodol\u00f2gica, com a homenatge\u00bb,\u00a0<em>Anthropos<\/em>, 58 (1986): \u00abIndubtablement, la gran majoria dels universitaris eren consumidors de mercaderies cinematogr\u00e0fiques i televisives, per\u00f2 pr\u00e0cticament cap d&#8217;ells tenia coneixements suficients <strong>com per a<\/strong> intentar una aproximaci\u00f3 cient\u00edfica [&#8230;]\u00bb. \u00a0<a href=\"https:\/\/books.google.es\/books?id=o_1SH1NhZdUC&amp;pg=PA31&amp;dq=%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiI15voxcvxAhVlo3EKHT1gBdA4KBDoATACegQIBBAC#v=onepage&amp;q=%22com%20per%20a%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li><em>Quaderns de l&#8217;exili<\/em> (1943): \u00abhaur\u00edem pogut tenir a m\u00e0 una for\u00e7a armada amb la necess\u00e0ria efici\u00e8ncia com per a fer avortar el moviment\u00bb. \u00a0<a href=\"https:\/\/books.google.es\/books?id=yosgAQAAMAAJ&amp;q=%22com+per+a%22&amp;dq=%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwjlgpeLyMvxAhVC4OAKHVySCbs4RhDoATAIegQIAhAC\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<\/ul>\n<p>A m\u00e9s d&#8217;aix\u00f2, la gram\u00e0tica de l&#8217;institut tamb\u00e9 considera poc adequada per als registres formals la construcci\u00f3 consecutiva <em>tant<\/em>\/<em>tan<\/em>&#8230;\u00a0<em>com&#8230; <\/em>seguida d&#8217;una construcci\u00f3 final. Amb tot, podem documentar eixa construcci\u00f3 qualsevol registre:<\/p>\n<ul>\n<li><em>Quaderns de l&#8217;exili<\/em> (1943): \u00ab[&#8230;] no va ser mai tan prec\u00e0ria com per a abandonar-se sense remei a un art estranger\u00bb. <a href=\"https:\/\/books.google.es\/books?id=yosgAQAAMAAJ&amp;q=%22com+per+a%22&amp;dq=%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwjlgpeLyMvxAhVC4OAKHVySCbs4RhDoATAIegQIAhAC\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Lloren\u00e7a Villalonga,\u00a0<em>Les temptacions<\/em> (1966; <a href=\"https:\/\/ca.wikipedia.org\/wiki\/Lloren%C3%A7_Villalonga_i_Pons\" target=\"_blank\" rel=\"noopener\">edici\u00f3 de 2015<\/a>): \u00abDona Francisca no era tan esburbada com per a recomanar-lo i respondre d&#8217;aquell perdut\u00bb.<\/li>\n<li>Vicent Ventura, \u00abTots els camins condueixen al <span class=\"versaleta\">psoe<\/span>?\u00bb, <em>Vicent Ventura: un home de combat<\/em>, a cura de Francesc P\u00e9rez i Moragon i Rafael Fresquet (1998): \u00abQui pot ser <strong>tan<\/strong> ingenu <strong>com per a<\/strong> creure que quan es produesca aqueixa substituci\u00f3, el <span class=\"versaleta\">psoe<\/span> reformar\u00e0 l&#8217;aparell de l&#8217;Estat [&#8230;]\u00bb.\u00a0<a href=\"https:\/\/books.google.es\/books?id=LbudfQCgjOAC&amp;pg=PA84&amp;dq=%22ser+tan%22+%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiyl4e-id3xAhXByYUKHTL1Dx8Q6AEwA3oECAIQAg#v=onepage&amp;q=%22ser%20tan%22%20%22com%20per%20a%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Honor\u00e9 de Balzac,\u00a0<em>Contes drol\u00e0tics,<\/em> traducci\u00f3 de Jaume Ortol\u00e0 (2010): \u00abat\u00e8s que n&#8217;era <strong>tan<\/strong> amic <strong>com per a<\/strong> tornar a crucificar Crist si li ho hagu\u00e9s demanat [&#8230;]\u00bb. <a href=\"https:\/\/books.google.es\/books?id=hs1DOgZoDZwC&amp;pg=PA425&amp;dq=%22era+tan%22+%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwih0t_iiN3xAhVBOBoKHRNCBDoQ6AEwAXoECAIQAg#v=onepage&amp;q=%22era%20tan%22%20%22com%20per%20a%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<li>Joe Abercrombie, \u00abTemps durs sempre\u00bb, <em>Canalles,<\/em> traducci\u00f3 de Valent\u00ed Mart\u00ed i Sansaloni, revisi\u00f3 de Jos\u00e9 A. L\u00f3pez Camarillas (2017): \u00abno era tan idiota com per a creure aix\u00f2 [&#8230;]\u00bb. <a href=\"https:\/\/books.google.es\/books?id=9LiODwAAQBAJ&amp;pg=PA44&amp;dq=%22era+tan%22+%22com+per+a%22&amp;hl=ca&amp;sa=X&amp;ved=2ahUKEwiInf3Xud3xAhUE8xQKHZRwDFI4ChDoATABegQICBAC#v=onepage&amp;q=%22era%20tan%22%20%22com%20per%20a%22&amp;f=false\" target=\"_blank\" rel=\"noopener\"><i class=\"fas fa-external-link-alt\"><\/i><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>La gram\u00e0tica de l&#8217;iec (29.3.5.f) indica que no \u00e9s propi de l&#8217;\u00fas formal el contacte entre la conjunci\u00f3 com (la gram\u00e0tica de la rae diu que \u00e9s una conjunci\u00f3 en 13.16.f) i la preposici\u00f3 o la conjunci\u00f3 final del sintagma posterior (que correspon a la segona part d&#8217;una construcci\u00f3 consecutiva). Josep Ruaix (1994) considerava que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[161,12,31,27],"class_list":["post-4124","post","type-post","status-publish","format-standard","hentry","category-lletra-c","tag-conjuncions","tag-normativa","tag-preposicions","tag-sintaxi"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/posts\/4124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/comments?post=4124"}],"version-history":[{"count":14,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/posts\/4124\/revisions"}],"predecessor-version":[{"id":4168,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/posts\/4124\/revisions\/4168"}],"wp:attachment":[{"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/media?parent=4124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/categories?post=4124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cdlpv.org\/fitxes\/wp-json\/wp\/v2\/tags?post=4124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}